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Rambling of Thoughts
Reading `The Professor of Desire' is like trying to track down trails of rambling thoughts as one should have expected from reading Philip Roth, the pleasure one normally derives from the `effect' rather than the `cause', where the plots are generally almost non-existence in this work, instead all efforts are made to explore one individual's inner world through a series of trivial events and fragments, expand from his childhood into his adult life.
I can't say I have been successful in my attempt to fully understand the book, and neither I can claim thoroughly enjoy a good story -for there is none to begin with but if one should read carefully into the pagers, one may find Roth at his best for exploring the depths of human mind -I suppose that's where and why one is attracted to Roth in general, his strength in penetrating the deepest human side and relating such to his readers. David Kepesh, our professor of desire, has taken an odyssey of self-discovery and in pursuit for LOVE where he must overcome his own strong inner conflicts of constant longing of DESIRE, and at the end unable to find a balance between LOVE and DESIRE in term of breaching the gap. The relationship between LOVE and DESIRE may also let us draw a distinction between `WANT' and `NEED'. Life poses a series of struggles for the co existence of `WANT' and `NEED', where the `NEED' is more of a psycho-physical being predefined within us while `WANT' is what we expect ourselves to attain in life; and the quest for happiness in life lies in whether we can resort within ourselves a peaceful coexistence for the two.
I suspect in reality we must all more or less being predestined to let a bit of such human tragedy lives within us, to face choices for and between `WANT' and `NEED'. Not exactly always a personal choice to be made, like in David Kepesh's case, a person destined to fail in relationship, where fate offers no choice but the impossibility in breaching a gap between LOVE and DESIRE; any choice, one over the other, must surrender him insurmountable sacrifice while no single choice can render him any happiness. Some of us, I for one, should not find it a surprise to cope with this paradox in real life.
Philip Roth, I presume a master at his own game as his reputation warrants more credits than I can truly appreciate his talent. Either the philosophical means in this novel is too much beyond my comprehension or I am thinking way too much in term of substance this book never means to offer. To retract my earlier mentioned `cause' and `effect' about reading Roth, for I may not be the best person to pass this judgment base on having read only three of his books, first the `The Dying Animal', then `The Ghost Writer' and now this `The Professor of Desire'; given none of the three is said to best represent Roth except him being praised on achieving high quality in ALL his work.
Frankly speaking I can't find such impressiveness in any of the three books I read, and meanwhile, an inner voice keeps reminding me for reading more of him or a second-read on 'The Professor of Desire', in order to find new meaning and greatness I might have missed - can it be another case of `WANT' and `NEED' recurring into real life that I must get myself ready to do battle with Roth?
Rating: -
A must-read for any Roth enthusiast
David Kepesh, the aforementioned professor, towards the end of "Professor of Desire," contemplates the introductory lecture he is to deliver to his class on comparative literature:
"Indiscreet, unprofessional, unsavory as portions of these disclosures will surely strike some of you, I nonetheless would like, with your permission, to go ahead now and give an open account to you of the life I formerly led as a human being. I am devoted to fiction, and I assure you that in time I will tell you whatever I may know about it, but in truth nothing lives in me like my life."
This passage may as well be an introduction to this book, one of Roth's most potent and stirring novels from his earlier days. Through the chronicles of David Kepesh's early life, Roth examines the paradoxes of love and desire, the bridges between literature and life, and our nearly-lunatic search for identity.
In this book, we follow Roth's familiar character David Kepesh from his childhood in the Catskills hotel owned by his parents, to a post-college year of sexual freedom in Scandinavia, to a tempestuous/disastrous marriage to Helen Baird, followed by a winter of despair, and concluding with his relationship with Claire Ovington, marked by a love that is blemished by waning desire.
In the end, although more questions are posed than can ever be answered, Roth's novel can resonate with anyone who has ever grappled with the mysteries of love and self-discovery - namely, everyone. And along the way, the reader can revel in the wit, wry humor, and intellect adored by every Roth fan.
Rating: -
A must-read for Roth enthusiasts
David Kepesh, the aforementioned professor, towards the end of "Professor of Desire," contemplates the introductory lecture he is to deliver to his class on comparative literature:
"Indiscreet, unprofessional, unsavory as portions of these disclosures will surely strike some of you, I nonetheless would like, with your permission, to go ahead now and give an open account to you of the life I formerly led as a human being. I am devoted to fiction, and I assure you that in time I will tell you whatever I may know about it, but in truth nothing lives in me like my life."
This passage may as well be an introduction to this book, one of Roth's most potent and stirring novels from his earlier days. Through the chronicles of David Kepesh's early life, Roth examines the paradoxes of love and desire, the bridges between literature and life, and our nearly-lunatic search for identity.
In this book, we follow Roth's familiar character David Kepesh from his childhood in the Catskills hotel owned by his parents, to a post-college year of sexual freedom in Scandinavia, to a tempestuous/disastrous marriage to Helen Baird, followed by a winter of despair, and concluding with his relationship with Claire Ovington, marked by a love that is blemished by waning desire.
In the end, although more questions are posed than can ever be answered, Roth's novel can resonate with anyone who has ever grappled with the mysteries of love and self-discovery - namely, everyone. And along the way, the reader can revel in the wit, wry humor, and intellect adored by every Roth fan.
Rating: 
-
An homage to Franz
Philip Roth's 1972 novella, "The Breast", a take-off on Kafka's story "The Metamorphosis", introduced us to David Kepesh, a professor of Literature, who one morning wakes to find himself transformed into an enormous mammary. David Kepesh reappears as the title character of Roth's 1979 novel, "The Professor of Desire". Besides borrowing characters from the earlier story, Roth works in lots of references to Kafka, includes a long episode describing Kepesh's pilgrimage to Kafka's grave in Prague, and at one point compares Kepesh's relation to his body to K.'s relation to the authorities of "The Castle":
". . . I can only compare the body's single-mindedness, its cold indifference and absolute contempt for the well-being of the spirit, to some unyielding, authoritarian regime. And you can petition it all you like, offer up the most heartfelt and dignified and logical sort of appeal - and get no response at all. If anything, a kind of laugh is what you get."
I wasn't able to buy all this Kafka business. To me it seemed pasted-on and extrinsic to the spirit of the rest of the novel. But this is quibbling. "The Professor of Desire" is a delightful story, in which Philip Roth exuberantly displays his many quite un-Kafkaesque gifts. First among them is a magical gift for characterization; it seems that every character in this novel, and there are many, springs effortlessly to life as a complete individual, from Herbie Bratasky on the first page to Mr. Barbatnik on the last.And then there's Roth's eerie gift for dialogue. His characters' words seem always to flow from their own personalities, not the author's, and their speeches are often masterpieces of comic invention.
Though perhaps it falls short of Roth's best, this is a wonderful book. I heartily recommend it.
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